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I wrote this paper in graduate school. I recall being highly motivated by the subject, reading and researching as much for my own enjoyment as for this paper. It is dated June 1992, and received an A.

Chamber music had never been an integral part of French music until the end of the nineteenth century.  There were some notable works such as the trios and sonatas by Rameau, Couperin, and Leclair, but never was any emphasis placed on the chamber medium.  The events and individuals who led to the rise of chamber music in France at the end of the nineteenth century shall be the subject of this paper.

A reasonable figure with which to begin such a study would be Cesar Franck.  Because he is often hailed as the father of modern French chamber music, his contribution and influence shall be a point at which to begin such a discussion.  This paper, however, shall delve a generation beyond Franck to examine his influences, and to gain a better understanding of what may have led to his interest in chamber music.

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